Will The Indian Audience Embrace The Pay-per-view Model

What India needs perhaps is a hybrid distribution model such as the pay-per-view plus theatrical release. At the average single ticket price for a multiplex, a pay-per-view allows families to watch premieres at home. This guarantees assured fees for producers that are paid by the platform upfront. However, the striking question is: Will the Indian audience embrace the pay-per-view model? For more information visit: https://www.spcinecorp.com/will-the-indian-audience-embrace-the-pay-per-view-model/

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Regional Cinema Eyes The Big Prize With Parallel Multi-lingual Releases

Filmmakers would create a film in one regional language and dub it in multiple languages including Hindi, or remake it in a regional language, a couple of years down the line. But now the megastars of regional cinema, particularly the South are scaling up their production cost and shooting in several languages parallelly, often with multiple co-stars. Let's take a closer look at how regional cinema eyes the big prize with parallel multi-lingual releases: https://www.spcinecorp.com/regional-cinema-eyes-the-big-prize-with-parallel-multi-lingual-releases/

3 Years and 3 Releases – A Young Organization with 100% Success Rate

As an organization involved in a creative industry, SP Cinecorp diligently vets creative stories, determining their potential for filming and earning a name in the box office. To tap into the audience’s mood and sentiments and at the same time, taking risks in bold and controversial topics has been a forte of SP Cinecorp since its inception. 3 years, 3 releases and a hat-trick of hits, with many more to come. Here is a look at our journey: https://www.spcinecorp.com/3-years-3-releases-young-organization-100-percent-success-rate/

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